richard linklater

Transcendental Style (cont’d)

If you are curious about this subject, please view my previous introduction and video essay to Transcendental style in film. My journey to understanding transcendental style began a few years ago, when I became fascinated with Richard Linkater’s films and the idleness of his storytelling. The meandering quality of Slacker’s cinematography felt like a meandering eye – a soul – me. It was around this time that I was introduced

The Influence of Bazin’s Ontology of Film on Richard Linklater

Context: This essay has dominated my thoughts over the last few months. I began thinking about this topic long before Northeastern, and even Gordon. Incredibly inspired by the video essay by Kogonada (which I highly suggest anyone watch), I got turned on to Linklater and a whole new way of watching and appreciating cinema. I really tried to make this essay accessible by giving more context to some of the films

Dream is Destiny

Context: Richard Linklater is currently my favorite director. He tells stories about what he knows- a bunch of white guys hanging out in Texas. Beyond the surface level masculinity and stoner art house film vibes, there is an incredibly serious man, telling incredibly important stories using the medium of cinema. Quiet stories about the present moment, the passage of time, and the experience of dream. This essay served as the