A recut version of Derek Cianfrance’s Blue Valentine, excluding the present “blue” scenes, leaving only the love-filled flashbacks. I loved the inter-cut storytelling in Blue Valentine, but I often wondered if the origin story would stand as strongly on its own, as it does within the context of the full film. At any rate, it was a lil experiment that I thought some folks may find interest in.
Just as mystical experiences are nurtured through emptying the mind, transcendent cinema is born through emptying the frame. As I reflect back on the last few years, transcendental style is at the forefront of my mind. Whether I knew it or not, transcendental style has dominated my thoughts and had a significant influence on my own personal filmmaking. I would like to write about the topic more and ideally tie